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The Art of Ramkinkar Baij

Modern Indian sculpture as we know it began with Ramkinkar Baij. Shantanu Ray Chaudhuri looks at the works and legacy of a pio...

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BAISHE SRABON: Dead Poets’ Society

In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Srijit Mukherji’s genre-bending noir ...

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Bees Saal Baad Revisited

Film historian Dhruv Somani, rewinds to the classic chiller, which continues to enthrall viewers of all generations, ever sinc...

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After a Pause

Film historian Dhruv Somani, writes on Bollywood’s comeback syndrome, or why top stars quit and then reboot their careers.

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The Joy of Photography

Khalid Mohamed in conversation with multi-media professional, indie-filmmaker and still photographer Arin Paul on how to see t...

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Avijatrik: The Wanderlust of Apu

It is to the credit of Subhrajit Mitra and his creative and technical team that Avijatrik manages to trace its own path, writes Shantan...

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Imagine Norman Bates’s Kolkata cousin as a paying guest in your home

Shantanu Ray Chaudhuri reviews Bengali streaming platform, Hoichoi’s much-publicized psychological horror Mohomaya

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Bengali Film Review: Dictionary

Well-known playwright, theatre activist/director, and film-maker/actor Bratya Basu’s film is well-intentioned but suffers from a muddled ...

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Sightless in Bollywood

Film historian Dhruv Somani, recollects the B-town movies dealing with the theme of the sight-impaired.

A Woman on the verge of abundance: Antara Lahiri

Vinta Nanda connects with the film editor Antara Lahiri, and brings to you this very interesting conversation that she had wit...

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